Giorgio Morandi (1890–1964) is one of the great protagonists of modern Italian art. Morandi has assumed cult status, especially within circles of art connoisseurs, and has been described as the artists’ artist. Transgressing generations, Morandi has inspired artists, authors, poets, designers and photographers and continues to do so to this day. Filmmakers and presidents can also be added to the list, where Federico Fellini’s classic La Dolce Vita is one of the more illustrious examples, as is Barack Obama’s inclusion of two Morandi paintings in the White House collection.
To name a few examples, Giorgio Morandi was showcased at Tate Modern in London, 2001. This exhibition then toured to Musée d’Art Moderne de la Ville de Paris the following year. The Metropolitan Museum of Art in New York also dedicated a solo show to Morandi in 2008. Morandi has never been substantially showcased in Sweden, nor in the Scandinavian region.
The exhibition at Artipelag highlights fifty works from Morandi’s career, produced between 1921 to 1963. A significant portion of the Morandi paintings featured in the exhibition are still life paintings of ceramic household items. However a handful of landscape paintings are also included. The paintings are complemented by drawings, etchings and watercolors, which illustrate Morandi’s artistic range.
Morandi led a domestic and routine bound life. He rarely left his hometown Bologna, where he lived most of his life with his mother and three sisters. Morandi also served as a Professor at the Accademia di Belle Arti di Bologna for 26 years. His motifs are likewise recurring – where similar still lifes and landscapes constitute the vast majority of his oeuvre, well over a thousand oil paintings in total.
Over half of the Morandi works shown in the exhibition at Artipelag, are generously lent to us by Museo d’Arte Moderna di Bologna.
Edmund de Waal (b. 1964) is a British artist and writer. To a Swedish audience, de Waal is known for his best-selling novel The Hare with Amber Eyes, which has been translated into over 28 languages. In The Hare with Amber Eyes, de Waal explores the rise of his aristocratic Jewish family in the late 1800s, as well as their subsequent fall inflicted by the ravages of the Nazis. On the international art scene, de Waal is known for his large-scale installations of porcelain vessels, which are informed by his passion for architecture, space and sound.
De Waal’s works have been exhibited internationally at institutions such as the Royal Academy of Arts in London, Kunsthistorisches Museum in Vienna and Gagosian Gallery in London and Los Angeles. Last year he collaborated with contemporary Chinese artist Ai Weiwei in a project at Kunsthaus Graz in Graz, Austria. Characteristic for de Waal’s installations is a shifting focus that moves from each object to the series of objects, the space that is left between, and how the viewer’s gaze flows through the artwork.
This exhibition is de Waal’s first in Sweden and will feature close to thirty works, made between 2013 and 2017. The exhibition will also include several new works made in response to Morandi, whom de Waal has often cited as a key artistic inspiration. Furthermore, de Waal will produce a text piece about Morandi, written directly onto the gallery walls of Artipelag.
”Perhaps it is assumed that the unifying link between Morandi and de Waal is the ceramic objects. However, that is not the case. Neither of the artists is particularly fascinated by the objects themselves, but rather by the contexts and presentation of them. What is of interest is how the objects are brought together, where they are placed, from where they can be viewed and how they are illuminated or darkened.”
– Bo Nilsson, Artistic Director of Artipelag.
”The Wunderkammer, which is de Waal’s point of departure and the still life works of Morandi, are related to a historical tradition of contemplating the still lives of objects, and how they have been perceived then and now. The artists share an artistic approach revolving around contemplation as the main principle, in contrast to our present time where refection and repetition rarely are valued and appreciated.”
– Bo Nilsson.
The exhibition will be on view at Artipelag from April 7th until the 1st of October, 2017 and is curated by Bo Nilsson in collaboration with Edmund de Waal.
In addition to the exhibition, Artipelag will produce a catalogue with texts by Bo Nilsson, Edmund de Waal, Norwegian Art Professor Jorunn Veiteberg and Swedish author Fredrik Sjöberg.
To coincide with the exhibition Edmund de Waals latest book The White Road (Den vita vägen) will be published in Swedish by Bromberg’s Publishing House on March 29th. In the book, de Waal writes about the thousand-year history of porcelain and its journey from China to the rest of the world. Reviews of The White Road have been written in, amongst others, The Los Angeles Times, The New Yorker and The Wall Street Journal.
A press preview is held on Wednesday the 5th of April, Edmund de Waal and Bo Nilsson will present. To apply for press accreditation, please contact firstname.lastname@example.org.
Gustav Idhammar, Artipelag, email@example.com, tel +46 (0)70-710 53 55
Artipelag is a unique meeting place where art exhibitions, cultural activities, architecture, music, event facilities, Swedish design and excellent food live side-by-side with the beautiful archipelago environment. Artipelag is located at Hålludden which is on Värmdö – approximately 20 minutes by car from downtown Stockholm. The building covers 10 220 square meters and is gently placed amongst pine trees and cliffs with grand views of Baggensfjärden. Artipelag was designed by the late architect Johan Nyrén.