{"id":36927,"date":"2019-07-16T13:37:59","date_gmt":"2019-07-16T11:37:59","guid":{"rendered":"https:\/\/artipelag.se\/news\/konstchef-bo-nilsson-om-piero-fornasettis-konstnarskap\/"},"modified":"2021-09-28T17:05:24","modified_gmt":"2021-09-28T15:05:24","slug":"director-bo-nilsson-on-the-artistry-of-piero-fornasetti","status":"publish","type":"post","link":"https:\/\/artipelag.se\/en\/news\/director-bo-nilsson-on-the-artistry-of-piero-fornasetti\/","title":{"rendered":"Director Bo Nilsson on the artistry of Piero Fornasetti"},"content":{"rendered":"<div class=\"max-w-screen-md mt-5 mx-auto first:mt-0\"><div\n  class=\"prose sm:prose-lg lg:prose-xl\"\n  x-data=\"\"\n  x-init=\"$nextTick(function () {\n    const videoEmbeds = document.querySelectorAll('.wp-block-embed.is-type-video');\n    videoEmbeds.forEach(function (embed) {\n      if (!embed.classList.contains('wp-embed-aspect-16-9') || !embed.classList.contains('wp-has-aspect-ratio')) {\n        embed.classList.add('wp-embed-aspect-16-9', 'wp-has-aspect-ratio');\n      }\n    });\n  })\"\n>\n  \r\n<p><em>The <a href=\"https:\/\/artipelag.se\/en\/exhibition\/fornasetti\/\">FORNASETTI Inside Out Outside In<\/a> exhibition runs between June 14<sup>th<\/sup>, 2019 and January 26<sup>th<\/sup>, 2020.<\/em><\/p>\r\n\n<\/div>\n<\/div>\r\n\r\n<div class=\"max-w-screen-md mt-5 mx-auto first:mt-0\"><div\n  class=\"prose sm:prose-lg lg:prose-xl\"\n  x-data=\"\"\n  x-init=\"$nextTick(function () {\n    const videoEmbeds = document.querySelectorAll('.wp-block-embed.is-type-video');\n    videoEmbeds.forEach(function (embed) {\n      if (!embed.classList.contains('wp-embed-aspect-16-9') || !embed.classList.contains('wp-has-aspect-ratio')) {\n        embed.classList.add('wp-embed-aspect-16-9', 'wp-has-aspect-ratio');\n      }\n    });\n  })\"\n>\n  \r\n<p><strong>Drawings. Paintings. Furniture. Graphic design. Piero Fornasetti did everything\u2026and then some. In the first Swedish museum exhibition to include Fornasetti\u2019s entire production, Artipelag trains the spotlight on one of the 20<sup>th<\/sup> century\u2019s most versatile artists and cultural figures.<\/strong><\/p>\r\n\n<\/div>\n<\/div>\r\n\r\n<div class=\"max-w-screen-md mt-5 mx-auto first:mt-0\"><div\n  class=\"prose sm:prose-lg lg:prose-xl\"\n  x-data=\"\"\n  x-init=\"$nextTick(function () {\n    const videoEmbeds = document.querySelectorAll('.wp-block-embed.is-type-video');\n    videoEmbeds.forEach(function (embed) {\n      if (!embed.classList.contains('wp-embed-aspect-16-9') || !embed.classList.contains('wp-has-aspect-ratio')) {\n        embed.classList.add('wp-embed-aspect-16-9', 'wp-has-aspect-ratio');\n      }\n    });\n  })\"\n>\n  \r\n<p>Sometimes the best way to open your mind is to immerse yourself in what you\u2019ve previously been avoiding. Artipelag\u2019s director Bo Nilsson had been looking at, experiencing and studying Piero Fornasetti for over 30 years, but had never fully grasped the multi-talented Italian. A new generation of artists paying homage to Fornasetti was the catalyst for finding the right access points. In recent years, his ideas about using the classical in the modern, allowing the traditional to permeate the new, have inspired upcoming talents such as the UK\u2019s Anj Smith. In light of this, the decision to dedicate an exhibition to Fornasetti was easy to make. The time was ripe.<\/p>\r\n\n<\/div>\n<\/div>\r\n\r\n<div class=\"max-w-screen-md mt-5 mx-auto first:mt-0\"><div\n  class=\"prose sm:prose-lg lg:prose-xl\"\n  x-data=\"\"\n  x-init=\"$nextTick(function () {\n    const videoEmbeds = document.querySelectorAll('.wp-block-embed.is-type-video');\n    videoEmbeds.forEach(function (embed) {\n      if (!embed.classList.contains('wp-embed-aspect-16-9') || !embed.classList.contains('wp-has-aspect-ratio')) {\n        embed.classList.add('wp-embed-aspect-16-9', 'wp-has-aspect-ratio');\n      }\n    });\n  })\"\n>\n  \r\n<p>\u2013 The popularity of an artist always fluctuates. Fornasetti was yesterday\u2019s news in the 1970s, but grew popular again in the 1980s. Then he fell out of favour again. And now it\u2019s gone full circle and he\u2019s back on top, says Bo Nilsson.<\/p>\r\n\n<\/div>\n<\/div>\r\n\r\n<div class=\"max-w-screen-md mt-5 mx-auto first:mt-0\"><div\n  class=\"prose sm:prose-lg lg:prose-xl\"\n  x-data=\"\"\n  x-init=\"$nextTick(function () {\n    const videoEmbeds = document.querySelectorAll('.wp-block-embed.is-type-video');\n    videoEmbeds.forEach(function (embed) {\n      if (!embed.classList.contains('wp-embed-aspect-16-9') || !embed.classList.contains('wp-has-aspect-ratio')) {\n        embed.classList.add('wp-embed-aspect-16-9', 'wp-has-aspect-ratio');\n      }\n    });\n  })\"\n>\n  \r\n<p>To once and for all get a handle on the prolific artist \u2013 who\u2019s believed to have created around 13,000 works in the course of his career \u2013 Bo Nilsson decided to put together the most comprehensive exhibition possible. At Artipelag, Fornasetti\u2019s early material, heavily inspired by the Novecento movement, will hang side-by-side with the world-famous design objects featuring 19th century opera singer Lina Cavalieri. Fornasetti\u2019s product and interior design will be mixed with the slightly surreal and very rarely exhibited self-portraits from his years in exile in Switzerland during World War 2. Everything to showcase a versatile total artist who wanted to do, and virtually did, most things during his career.<\/p>\r\n\n<\/div>\n<\/div>\r\n\r\n<div class=\"max-w-screen-md mt-5 mx-auto first:mt-0\"><div\n  class=\"prose sm:prose-lg lg:prose-xl\"\n  x-data=\"\"\n  x-init=\"$nextTick(function () {\n    const videoEmbeds = document.querySelectorAll('.wp-block-embed.is-type-video');\n    videoEmbeds.forEach(function (embed) {\n      if (!embed.classList.contains('wp-embed-aspect-16-9') || !embed.classList.contains('wp-has-aspect-ratio')) {\n        embed.classList.add('wp-embed-aspect-16-9', 'wp-has-aspect-ratio');\n      }\n    });\n  })\"\n>\n  \r\n<p>\u2013 We\u2019ve called the exhibition \u2018Inside Out Outside In\u2019, which sounds like a paradox, but basically means that we\u2019ll be looking at Fornasetti from the two different perspectives. Our aim is to put together an exhibition that spans his entire production \u2013 and interpret it. It starts in our time and works its way back through history. The special layout of this art gallery takes you back the same way you\u2019ve come, meaning you can read the exhibition from two different directions.<\/p>\r\n\n<\/div>\n<\/div>\r\n\r\n<div class=\"max-w-screen-md mt-5 mx-auto first:mt-0\"><div\n  class=\"prose sm:prose-lg lg:prose-xl\"\n  x-data=\"\"\n  x-init=\"$nextTick(function () {\n    const videoEmbeds = document.querySelectorAll('.wp-block-embed.is-type-video');\n    videoEmbeds.forEach(function (embed) {\n      if (!embed.classList.contains('wp-embed-aspect-16-9') || !embed.classList.contains('wp-has-aspect-ratio')) {\n        embed.classList.add('wp-embed-aspect-16-9', 'wp-has-aspect-ratio');\n      }\n    });\n  })\"\n>\n  \r\n<p>Complexity is the very essence of Piero Fornasetti\u2019s artistry. He grew up as part child prodigy, part young rebel. In 1930, at the age of 17, Piero was enrolled at the famous Brera Academy of Fine Arts in Milan, but he was expelled two years later for insubordination. He was destined to spend the rest of the 1930s trying to make a living as an artist and designer in various ways.<\/p>\r\n\n<\/div>\n<\/div>\r\n\r\n<div class=\"max-w-screen-md mt-5 mx-auto first:mt-0\"><div\n  class=\"prose sm:prose-lg lg:prose-xl\"\n  x-data=\"\"\n  x-init=\"$nextTick(function () {\n    const videoEmbeds = document.querySelectorAll('.wp-block-embed.is-type-video');\n    videoEmbeds.forEach(function (embed) {\n      if (!embed.classList.contains('wp-embed-aspect-16-9') || !embed.classList.contains('wp-has-aspect-ratio')) {\n        embed.classList.add('wp-embed-aspect-16-9', 'wp-has-aspect-ratio');\n      }\n    });\n  })\"\n>\n  \r\n<p>It was not until he was discovered by architect and designer Gi\u00f2 Ponti that his career got back on track. Fornasetti\u2019s blend of old and new, of neoclassical references to Italian art history mixed with a more contemporary mindset, appealed to modernist Ponti, who took the talented artist under his wing. In the years that followed, the duo developed a close working relationship, with the 20-year-older Ponti creating furniture and Fornasetti decorating. Together they designed interiors and furnishing concepts for everything from private homes to transatlantic liners, as well as public decorations such as the San Remo casino.<\/p>\r\n\n<\/div>\n<\/div>\r\n\r\n<div class=\"max-w-screen-md mt-5 mx-auto first:mt-0\"><div\n  class=\"prose sm:prose-lg lg:prose-xl\"\n  x-data=\"\"\n  x-init=\"$nextTick(function () {\n    const videoEmbeds = document.querySelectorAll('.wp-block-embed.is-type-video');\n    videoEmbeds.forEach(function (embed) {\n      if (!embed.classList.contains('wp-embed-aspect-16-9') || !embed.classList.contains('wp-has-aspect-ratio')) {\n        embed.classList.add('wp-embed-aspect-16-9', 'wp-has-aspect-ratio');\n      }\n    });\n  })\"\n>\n  \r\n<p>\u2013 Ponti tended to favour classic furniture, such as glass cabinets from the Renaissance, but crafted them in simple materials such as Masonite. Meanwhile, Fornasetti\u2019s decorations were inspired by Italian art and architectural history, which made the items of furniture less simple. He often used palace facades to print on screens. He was extremely eclectic and open-minded, unpredictable, and highly skilled at both neoclassical and contemporary design.<\/p>\r\n\n<\/div>\n<\/div>\r\n\r\n<div class=\"max-w-screen-md mt-5 mx-auto first:mt-0\"><div\n  class=\"prose sm:prose-lg lg:prose-xl\"\n  x-data=\"\"\n  x-init=\"$nextTick(function () {\n    const videoEmbeds = document.querySelectorAll('.wp-block-embed.is-type-video');\n    videoEmbeds.forEach(function (embed) {\n      if (!embed.classList.contains('wp-embed-aspect-16-9') || !embed.classList.contains('wp-has-aspect-ratio')) {\n        embed.classList.add('wp-embed-aspect-16-9', 'wp-has-aspect-ratio');\n      }\n    });\n  })\"\n>\n  \r\n<p>Bo Nilsson gladly returns to the idea of Fornasetti as a total artist. The Italian started as a painter, but gradually became involved in a variety of aesthetic disciplines, working as a sculptor, interior designer and product designer. Perhaps this was particularly evident once his partnership with Ponti came to an end. If he and Ponti had worked a lot with the interior design of larger rooms and installations, in the 1960s Fornasetti became more and more focused on the small scale. Back in 1956, Fornasetti opened a shop in his home city of Milan where he started to sell, for want of a better word, merchandise.<\/p>\r\n\n<\/div>\n<\/div>\r\n\r\n<div class=\"max-w-screen-md mt-5 mx-auto first:mt-0\"><div\n  class=\"prose sm:prose-lg lg:prose-xl\"\n  x-data=\"\"\n  x-init=\"$nextTick(function () {\n    const videoEmbeds = document.querySelectorAll('.wp-block-embed.is-type-video');\n    videoEmbeds.forEach(function (embed) {\n      if (!embed.classList.contains('wp-embed-aspect-16-9') || !embed.classList.contains('wp-has-aspect-ratio')) {\n        embed.classList.add('wp-embed-aspect-16-9', 'wp-has-aspect-ratio');\n      }\n    });\n  })\"\n>\n  \r\n<p>\u2013 A new middle class searching for its cultural values emerged in the 1960s and Fornasetti was a good fit for this. He made everything from umbrella stands and plates to ashtrays and trays. Everything. We try to understand his motivation in this exhibition, reports Bo Nilsson.<\/p>\r\n\n<\/div>\n<\/div>\r\n\r\n<div class=\"max-w-screen-md mt-5 mx-auto first:mt-0\"><div\n  class=\"prose sm:prose-lg lg:prose-xl\"\n  x-data=\"\"\n  x-init=\"$nextTick(function () {\n    const videoEmbeds = document.querySelectorAll('.wp-block-embed.is-type-video');\n    videoEmbeds.forEach(function (embed) {\n      if (!embed.classList.contains('wp-embed-aspect-16-9') || !embed.classList.contains('wp-has-aspect-ratio')) {\n        embed.classList.add('wp-embed-aspect-16-9', 'wp-has-aspect-ratio');\n      }\n    });\n  })\"\n>\n  \r\n<p>It seems only to be expected that an artist who once said, \u201cA beautiful thing never loses its value, even if it\u2019s mass-produced\u201d would move in this direction.<\/p>\r\n\n<\/div>\n<\/div>\r\n\r\n<div class=\"max-w-screen-md mt-5 mx-auto first:mt-0\"><div\n  class=\"prose sm:prose-lg lg:prose-xl\"\n  x-data=\"\"\n  x-init=\"$nextTick(function () {\n    const videoEmbeds = document.querySelectorAll('.wp-block-embed.is-type-video');\n    videoEmbeds.forEach(function (embed) {\n      if (!embed.classList.contains('wp-embed-aspect-16-9') || !embed.classList.contains('wp-has-aspect-ratio')) {\n        embed.classList.add('wp-embed-aspect-16-9', 'wp-has-aspect-ratio');\n      }\n    });\n  })\"\n>\n  \r\n<p>\u2013 Fornasetti had democratic principles \u2013 the objects that he created should not only to be accessible to some kind of upper class. He wanted everyone to be able to buy his items. The downside of this is that production gets very fragmented, you no longer have as clear an understanding of the relationship between the different objects. If you give it a certain structure, as we\u2019ve attempted to do in the exhibition, you see that there are patterns in a tradition stretching back to the Renaissance. There are natural motifs, such as fish, flowers and fruit, but there are also artefacts, such as musical instruments, armour and often cultural objects. Nature and culture are contrasted as opposites \u2013 Fornasetti in a nutshell.<\/p>\r\n\n<\/div>\n<\/div>\r\n\r\n<div class=\"max-w-screen-md mt-5 mx-auto first:mt-0\"><div\n  class=\"prose sm:prose-lg lg:prose-xl\"\n  x-data=\"\"\n  x-init=\"$nextTick(function () {\n    const videoEmbeds = document.querySelectorAll('.wp-block-embed.is-type-video');\n    videoEmbeds.forEach(function (embed) {\n      if (!embed.classList.contains('wp-embed-aspect-16-9') || !embed.classList.contains('wp-has-aspect-ratio')) {\n        embed.classList.add('wp-embed-aspect-16-9', 'wp-has-aspect-ratio');\n      }\n    });\n  })\"\n>\n  \r\n<p><em>This is an article from the Artipelag yearly magazine produced in 2019 by <a href=\"https:\/\/makeyourmark.se\/eng\" target=\"_blank\" rel=\"noopener\">Make Your Mark<\/a>. Text: Mattias Dahlstr\u00f6m.<\/em><\/p>\r\n\n<\/div>\n<\/div>\r\n\r\n","protected":false},"excerpt":{"rendered":"<p>The FORNASETTI Inside Out Outside In exhibition runs between June 14th, 2019 and January 26th, 2020. Drawings. Paintings. Furniture. Graphic design. Piero Fornasetti did everything\u2026and then some. In the first Swedish museum exhibition to include Fornasetti\u2019s entire production, Artipelag trains the spotlight on one of the 20th century\u2019s most versatile artists and cultural figures. Sometimes &hellip; <a href=\"https:\/\/artipelag.se\/en\/news\/director-bo-nilsson-on-the-artistry-of-piero-fornasetti\/\">Continued<\/a><\/p>\n","protected":false},"author":24,"featured_media":34422,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2],"tags":[],"class_list":["post-36927","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v26.7 (Yoast SEO v26.7) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Director Bo Nilsson on the artistry of Piero Fornasetti - Artipelag<\/title>\n<meta name=\"description\" content=\"Intervju med konstchef Bo Nilsson om Piero Fornasetti och dennes konst. Utst\u00e4llningen \u201dFORNASETTI Inside Out Outside In\u201d p\u00e5g\u00e5r mellan den 14 juni 2019 och 26 januari 2020.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/artipelag.se\/en\/news\/director-bo-nilsson-on-the-artistry-of-piero-fornasetti\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Director Bo Nilsson on the artistry of Piero Fornasetti\" \/>\n<meta property=\"og:description\" content=\"Intervju med konstchef Bo Nilsson om Piero Fornasetti och dennes konst. 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