{"id":26460,"date":"2017-12-20T09:05:00","date_gmt":"2017-12-20T08:05:00","guid":{"rendered":"https:\/\/artipelag.se\/news\/alla-aspekter-av-bloomsburygruppen-nasta-ars-stora-utstallning-pa-artipelag\/"},"modified":"2021-09-28T17:05:23","modified_gmt":"2021-09-28T15:05:23","slug":"all-aspects-of-the-bloomsbury-group-are-on-display-in-next-years-grand-exhibition-at-artipelag","status":"publish","type":"post","link":"https:\/\/artipelag.se\/en\/press-releases\/all-aspects-of-the-bloomsbury-group-are-on-display-in-next-years-grand-exhibition-at-artipelag\/","title":{"rendered":"All aspects of the Bloomsbury group are on display in next year\u2019s grand exhibition at Artipelag"},"content":{"rendered":"
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Artipelag is to be the first in Sweden to present an extensive exhibition of the mythical British Bloomsbury group.\u00a0Bloomsbury Spirit<\/em>\u00a0is based on the group\u2019s boldness, optimism and anti-authoritarian approach and inspires new ways of thinking. To showcase their inclusive modernism, the creative range of painting, photography, interior design, textiles, patterns, literature, furniture design, books, graphics, dance, garden art and fashion will be represented. Bloomsbury Spirit runs between March 23rd<\/sup>\u00a0and September 30th<\/sup>, 2018.<\/strong><\/p>\r\n\n<\/div>\n<\/div>\r\n\r\n

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One of the exhibition\u2019s rooms is transformed into a gallery of paintings by Roger Fry, Vanessa Bell and Duncan Grant in a layout and environment characterized by exactly the ideals they revolted against. Another room is dedicated to Omega Workshops, a studio that was started by the same trio where they, together with other artists, designed furniture, clothing and furnishings.<\/p>\r\n\n<\/div>\n<\/div>\r\n\r\n

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An important venue that will be recreated is Charleston, Vanessa Bell\u2019s summer house in Sussex, which became the hub of the entire Bloomsbury group. At Artipelag\u2019s entrance courtyard, before even entering the art gallery, visitors walk through a Charleston-inspired garden that continues in the gallery, complete with ivy, roses and boxwood.<\/p>\r\n\n<\/div>\n<\/div>\r\n\r\n

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The exhibition discusses the Bloomsbury group\u2019s utopias, such as the overall conversation, Gesamtkunstwerk and nudity. The Cadena Caf\u00e9, which Omega Workshops renovated in London in 1917, is recreated and will function as a reading room and gathering place.<\/p>\r\n\n<\/div>\n<\/div>\r\n\r\n

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About the Bloomsbury Group<\/h3>\r\n<\/div>\r\n\r\n
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The Bloomsbury group\u2019s ideas, characterized by immigration, fundamentalism, salvation and violence, challenge us as much in our own time as in they did in the early 1900s.<\/p>\r\n\n<\/div>\n<\/div>\r\n\r\n

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By the time of the First World War, Sweden was isolated, and it wasn\u2019t until the thirties that modernism broke through. It was a technical, \u201dhard modernism\u201d that became prominent, and with the Stockholm exhibition in 1930, rational functionalism was the political sway of the new Swedish welfare society. The Bloomsbury group, on the other hand, stood for an alternative, a third way: \u201dsoft modernism\u201d. The group\u2019s attitude was soft, open and flexible. Its style was bold and pluralistic rather than uniform, hard and shiny.<\/p>\r\n\n<\/div>\n<\/div>\r\n\r\n

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The group consisted of a loose collection of authors, artists, politicians, economists, historians, critics, mathematicians. At first, they were just friends and students, but later on\u00a0 they broke through as their time\u2019s new thinkers \u2013 Virginia Woolf, John Maynard Keynes, Vanessa Bell, Duncan Grant, Lytton Strachey, Roger Fry, Clive Bell, E.M. Forster and Leonard Woolf. Other more peripheral members were, for example, Bertrand Russell, Ottoline Morrell and Vita Sackville-West.<\/p>\r\n\n<\/div>\n<\/div>\r\n\r\n

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The members loathed heroism and authority. For them, modernism meant that old and new could be put together in any conceivable patterns and combinations. They celebrated imagination, feeling and creation without rejecting reason. Their crossing of boundaries was a matter of course because, according to them, the meaning of life was discussion, friendship, truth-seeking and aesthetics. It was this that was specifically human.<\/p>\r\n\n<\/div>\n<\/div>\r\n\r\n

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The group got its name from the London district of Bloomsbury where they were originally based. During World War I, many of them moved to the countryside and practised a counterurbanization lifestyle. Many of the houses are derelict today, but Charleston farm in Sussex remains as a Bloomsbury jewel, characterized by the aesthetics typical of the group: a rough-around-the-edges environment for creative work, play and discussion crossing all boundaries. A slightly chaotic, inclusive atmosphere, where inside and out come together, where everything (worn out or modern, newly built or classical) could be recycled and transformed with a lick of paint. Acrobats and painted sculptures hang on doorposts interspersed with abstract ornaments. And then a burst of flowers \u2013 brushed or printed, in wreaths or still life. Or real. In Charleston\u2019s garden, the same gentle and courageous aesthetics as indoors are found. The whole environment was an affront to established norms.<\/p>\r\n\n<\/div>\n<\/div>\r\n\r\n

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In addition to books, exhibitions and buzzing conversations, the Bloomsbury group ran important networks \u2013 the Hogarth Press, the first to introduce Modernist Literature in England, and Omega Workshops, a collective artist workshop and showroom for all of the art of the time, such as painting, textile, design, dance, fashion and decorations.<\/p>\r\n\n<\/div>\n<\/div>\r\n\r\n

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The radicalism of the Bloomsbury group was based on the fact that everything (except their existential goals) could and should be tried and tested. They ignored conventions. Ideas and creations were central. For the arts were the essence of life and never tools for other purposes. This included Keynes, who in Sweden is mainly known as a world-leading economist. But he was also a passionate hedonist, culture politician and art connoisseur.<\/p>\r\n\n<\/div>\n<\/div>\r\n\r\n

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The playful attitude and lifestyle of the Bloomsburg group challenges Swedish social morality, where the arts have always been inferior to specialists, social engineers, function and utility.<\/p>\r\n\n<\/div>\n<\/div>\r\n\r\n

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The greatest artist was Virginia Woolf. She was an author, critic and entomologist. She was also a feminist and heavily involved in the international, modernist paintings, presented by Roger Fry to a shocked London audience at two major post-impressionist exhibitions in 1910 and 1912. Virginia Woolf described them as a catalyst for \u201da whole new era\u201d.<\/p>\r\n\n<\/div>\n<\/div>\r\n\r\n

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Bloomsberries have become idols who advocate feminism, sexual freedom, pacifism and intellectual gluttony in everything from science and society to art. But over the years they have also received much criticism \u2013 they haven\u2019t fitted into any mold. In retrospect, you can see that they introduced a much more liberal modernism than that preached in the German Bauhaus of the same period, and that they lived according to the ideals of the French Revolution. They were the best of European enlightenment traditions, while at the same time, and in contrast to us today, believing in the future.<\/p>\r\n\n<\/div>\n<\/div>\r\n\r\n

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About the Exhibition<\/h3>\r\n<\/div>\r\n\r\n
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External curator for the exhibition is the art critic and author Ingela Lind in collaboration with Artipelag\u2019s art department, consisting of director Bo Nilsson, curator Frida Andersson, digital producer and designer Samuel Lind, chief engineer Johan von Geijer, and Kristina Lindemann, pedagogy and program manager. The design of the gardens is by Ia Schildt and the exhibition\u2019s fashion has been created together with Cay Bond.<\/p>\r\n\n<\/div>\n<\/div>\r\n\r\n

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Next spring, Ingela Lind releases her new book,\u00a0Ta sig frihet \u2013 Bloomsburygruppen, Indien och konsten att leva,<\/em>\u00a0\u201cTo Take the Liberty \u2013 The Bloomsbury Group, India and the Art of Living\u201d (Albert Bonniers F\u00f6rlag, will be released on March 23rd<\/sup>, 2018) in which she analyzes the group\u2019s alternative and free modernism. Previously, Ingela has written\u00a0Leka med modernismen \u2013 Virginia Woolf och Bloomsburygruppen<\/em>, \u201cPlaying with Modernism \u2013 Virginia Woolf and the Bloomsbury Group\u201d (Albert Bonniers F\u00f6rlag, 2008).<\/p>\r\n\n<\/div>\n<\/div>\r\n\r\n

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For Bloomsbury Spirit<\/em>, Artipelag has loaned unique works by, among others, Vanessa Bell, Duncan Grant and Roger Fry from English institutions such as the TATE, Victoria & Albert Museum, Courtauld Gallery, The Charleston Trust and the National Portrait Gallery.<\/p>\r\n\n<\/div>\n<\/div>\r\n\r\n

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Links<\/h3>\r\n<\/div>\r\n\r\n
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Exhibition presentation,\u00a0website >><\/a>
\nPress photos,\u00a0press room >><\/a>
\n<\/a>The Bloomsbury Group on\u00a0wikipedia >><\/a><\/p>\r\n\n<\/div>\n<\/div>\r\n\r\n

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Press Contact<\/h3>\r\n<\/div>\r\n\r\n
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Gustav Idhammar, Artipelag,\u00a0gustav.idhammar@artipelag.se<\/a>, tel +46 (0)70-710 53 55<\/p>\r\n\n<\/div>\n<\/div>\r\n\r\n

\n \r\n

About Artipelag<\/strong>
\nArtipelag is a world-class meeting place where art shows, cultural activities, architecture, music, events, Swedish design, and good food live side by side with the beautiful archipelago environment. Artipelag is located at H\u00e5lludden, which itself is situated on V\u00e4rmd\u00f6, about 20 minutes by car from Stockholm city centre. The building comprises 10,220 m\u00b2 and is carefully placed among pines and cliffs with magnificent views over Baggensfj\u00e4rden.\u00a0Artipelag was designed by the late architect Johan Nyr\u00e9n.<\/em><\/p>\r\n\n<\/div>\n<\/div>\r\n\r\n","protected":false},"excerpt":{"rendered":"

Artipelag is to be the first in Sweden to present an extensive exhibition of the mythical British Bloomsbury group.\u00a0Bloomsbury Spirit\u00a0is based on the group\u2019s boldness, optimism and anti-authoritarian approach and inspires new ways of thinking. To showcase their inclusive modernism, the creative range of painting, photography, interior design, textiles, patterns, literature, furniture design, books, graphics, … Continued<\/a><\/p>\n","protected":false},"author":24,"featured_media":25967,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[32],"tags":[],"class_list":["post-26460","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-press-releases"],"acf":[],"yoast_head":"\nAll aspects of the Bloomsbury group are on display in next year\u2019s grand exhibition at Artipelag - Artipelag<\/title>\n<meta name=\"robots\" content=\"noindex, follow\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"All aspects of the Bloomsbury group are on display in next year\u2019s grand exhibition at Artipelag\" \/>\n<meta property=\"og:description\" content=\"Artipelag is to be the first in Sweden to present an extensive exhibition of the mythical British Bloomsbury group.\u00a0Bloomsbury Spirit\u00a0is based on the group\u2019s boldness, optimism and anti-authoritarian approach and inspires new ways of thinking. 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