{"id":5101,"date":"2015-05-18T10:45:37","date_gmt":"2015-05-18T08:45:37","guid":{"rendered":"https:\/\/artipelag.se\/en\/utstallning\/ingen-manniska-ar-en-o-konstnarliga-strandhugg-i-stockholms-skargard\/"},"modified":"2024-12-23T13:51:30","modified_gmt":"2024-12-23T12:51:30","slug":"no-man-is-an-island-artistica-forays-into-the-stockholm-archipelago","status":"publish","type":"cpt_exhibitions","link":"https:\/\/artipelag.se\/en\/art-museum\/previous-exhibitions\/no-man-is-an-island-artistica-forays-into-the-stockholm-archipelago\/","title":{"rendered":"No man is an island \u2013 Artistic forays into the Stockholm archipelago"},"content":{"rendered":"<div class=\"max-w-screen-lg my-8 mx-auto xl:my-16 first:mt-0\">\n<figure class=\"wp-block-embed wp-embed-aspect-16-9 wp-has-aspect-ratio is-type-video is-provider-vimeo wp-block-embed-vimeo\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Ingen m\u00e4nniska \u00e4r en \u00f6 - trailer\" data-cookieblock-src=\"https:\/\/player.vimeo.com\/video\/95885152?dnt=1&amp;app_id=122963\" data-cookieconsent=\"marketing\" width=\"500\" height=\"281\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write\"><\/iframe>\n<\/div><\/figure>\n<\/div>\n\n<div class=\"max-w-screen-md mt-5 mx-auto first:mt-0\"><div\n  class=\"prose sm:prose-lg lg:prose-xl\"\n  x-data=\"\"\n  x-init=\"$nextTick(function () {\n    const videoEmbeds = document.querySelectorAll('.wp-block-embed.is-type-video');\n    videoEmbeds.forEach(function (embed) {\n      if (!embed.classList.contains('wp-embed-aspect-16-9') || !embed.classList.contains('wp-has-aspect-ratio')) {\n        embed.classList.add('wp-embed-aspect-16-9', 'wp-has-aspect-ratio');\n      }\n    });\n  })\"\n>\n  \n<p>The Stockholm archipelago has been the subject of many poems, songs and paintings. Today, however, the ideas of the archipelago increasingly appear as nostalgic tourist clich\u00e9s, including the rather dubious artistic genre of \u201carchipelago art\u201d. The exhibition No Man Is an Island enlisted visual art from the end of 19th century until today, in an attempt to elaborate on the image of the archipelago with the point of departure in concepts such as class, gender and identity.<\/p>\n\n<\/div>\n<\/div>\n\n<div class=\"max-w-screen-md mt-5 mx-auto first:mt-0\"><div\n  class=\"prose sm:prose-lg lg:prose-xl\"\n  x-data=\"\"\n  x-init=\"$nextTick(function () {\n    const videoEmbeds = document.querySelectorAll('.wp-block-embed.is-type-video');\n    videoEmbeds.forEach(function (embed) {\n      if (!embed.classList.contains('wp-embed-aspect-16-9') || !embed.classList.contains('wp-has-aspect-ratio')) {\n        embed.classList.add('wp-embed-aspect-16-9', 'wp-has-aspect-ratio');\n      }\n    });\n  })\"\n>\n  \n<p>The exhibition included a number of artistic forays into various eras with the aim of reflecting the changes that have taken place in regard to the idea of the archipelago.<\/p>\n\n<\/div>\n<\/div>\n\n<div class=\"max-w-screen-md mt-5 mx-auto first:mt-0\"><div\n  class=\"prose sm:prose-lg lg:prose-xl\"\n  x-data=\"\"\n  x-init=\"$nextTick(function () {\n    const videoEmbeds = document.querySelectorAll('.wp-block-embed.is-type-video');\n    videoEmbeds.forEach(function (embed) {\n      if (!embed.classList.contains('wp-embed-aspect-16-9') || !embed.classList.contains('wp-has-aspect-ratio')) {\n        embed.classList.add('wp-embed-aspect-16-9', 'wp-has-aspect-ratio');\n      }\n    });\n  })\"\n>\n  \n<p>The industrialisation of Swedish society at the end of 19th century set off a migration from the countryside to the urban areas. This prompted a development of public transport, railways and steamship traffic, which was a prerequisite for a mobile lifestyle. Perhaps even more important is the paradigm shift that occurred in relation to the concept of nature, which had been seen as a production resource and now was regarded as a resource for leisure. It was in this context that the archipelago turned into an attractive place for an active outdoor lifestyle. Artists were also affected by this new life pattern and archipelago life became a central aspect of many artistic practices, not least the Stockholm archipelago which is the territory that the exhibition was focused on.<\/p>\n\n<\/div>\n<\/div>\n\n<div class=\"max-w-screen-md mt-5 mx-auto first:mt-0\"><div\n  class=\"prose sm:prose-lg lg:prose-xl\"\n  x-data=\"\"\n  x-init=\"$nextTick(function () {\n    const videoEmbeds = document.querySelectorAll('.wp-block-embed.is-type-video');\n    videoEmbeds.forEach(function (embed) {\n      if (!embed.classList.contains('wp-embed-aspect-16-9') || !embed.classList.contains('wp-has-aspect-ratio')) {\n        embed.classList.add('wp-embed-aspect-16-9', 'wp-has-aspect-ratio');\n      }\n    });\n  })\"\n>\n  \n<p>In the exhibition No Man Is an Island we began our discourse with the artist generation that depicted the archipelago from the end of 19th century. Prince Eugen, Anders Zorn, Albert Engstr\u00f6m, August Strindberg, Axel Sj\u00f6berg and J A G Acke represented this first generation of archipelago painters. Despite their vastly different points of departure and artistic approaches, they have come to represent the artistic diversity that forms the foundation for our ideas of the archipelago. We chose to include the most prominent representatives and their most iconic works, which are still widely employed in marketing and which are also reference points for the discourse of younger generations.<\/p>\n\n<\/div>\n<\/div>\n\n<div class=\"max-w-screen-md mt-5 mx-auto first:mt-0\"><div\n  class=\"prose sm:prose-lg lg:prose-xl\"\n  x-data=\"\"\n  x-init=\"$nextTick(function () {\n    const videoEmbeds = document.querySelectorAll('.wp-block-embed.is-type-video');\n    videoEmbeds.forEach(function (embed) {\n      if (!embed.classList.contains('wp-embed-aspect-16-9') || !embed.classList.contains('wp-has-aspect-ratio')) {\n        embed.classList.add('wp-embed-aspect-16-9', 'wp-has-aspect-ratio');\n      }\n    });\n  })\"\n>\n  \n<p>Late 19th century archipelago life is often associated with the summer holidays of the upper classes and the ensuing cultural clashes with the local people of the islands. However, in the 1930s the middle classes began to venture out to the archipelago for the summers. With this new group, modernism came to play a more important role in archipelago life. In contrast to the large, tawdry villas of the nouveaux riches, the houses of the middle classes were modest in scale, designed in a modern idiom with inspiration from artist\u2019s or writer\u2019s studios. For this new type of dwelling, the furniture designer Axel Einar Hjorth created so-called sport cabin furniture which he gave archipelago names such as Ut\u00f6, V\u00e4rmd\u00f6 and Sandhamn and which came to represent the radicality introduced by the middle classes. The exhibition included an entire section devoted to this type of furniture. This was the first major presentation of Axel Einar Hjorth\u2019s sport cabin furniture, which have created a sensation in the international auction world in recent years.<\/p>\n\n<\/div>\n<\/div>\n\n<div class=\"max-w-screen-md mt-5 mx-auto first:mt-0\"><div\n  class=\"prose sm:prose-lg lg:prose-xl\"\n  x-data=\"\"\n  x-init=\"$nextTick(function () {\n    const videoEmbeds = document.querySelectorAll('.wp-block-embed.is-type-video');\n    videoEmbeds.forEach(function (embed) {\n      if (!embed.classList.contains('wp-embed-aspect-16-9') || !embed.classList.contains('wp-has-aspect-ratio')) {\n        embed.classList.add('wp-embed-aspect-16-9', 'wp-has-aspect-ratio');\n      }\n    });\n  })\"\n>\n  \n<p>However, the idea of the archipelago was not only established in painting and design. Equally important are the songs composed by Evert Taube. In the exhibition we chose to create a gallery that celebrates Evert Taube\u2019s song writing.<\/p>\n\n<\/div>\n<\/div>\n\n<div class=\"max-w-screen-md mt-5 mx-auto first:mt-0\"><div\n  class=\"prose sm:prose-lg lg:prose-xl\"\n  x-data=\"\"\n  x-init=\"$nextTick(function () {\n    const videoEmbeds = document.querySelectorAll('.wp-block-embed.is-type-video');\n    videoEmbeds.forEach(function (embed) {\n      if (!embed.classList.contains('wp-embed-aspect-16-9') || !embed.classList.contains('wp-has-aspect-ratio')) {\n        embed.classList.add('wp-embed-aspect-16-9', 'wp-has-aspect-ratio');\n      }\n    });\n  })\"\n>\n  \n<p>Modernism had a great impact on cultural policy and on the planning of modern Stockholm, but not on the art of the archipelago. Closest in this regard is Olle Nyman who employed abstraction in his paintings. At the end of the 1940s and during parts of the 1950s a group of artists including Evert Lundquist and Ebba Reutercrona, Roland Kempe and Staffan Hallstr\u00f6m congregated at Nyman\u2019s family estate in Saltsj\u00f6-Duvn\u00e4s, living and working together in what became known as the Saltsj\u00f6-Duvn\u00e4s Group. They were not a close-knit group with a common programme and neither did they have a direct relationship to the landscape of the archipelago; rather, they explored the materiality of painting, from the small perspective, with the point of departure in the poetry of rural everyday life. Perhaps one could say that the part represents the whole. This section of the exhibition also included the ceramic artist Anders B Liljefors who was employed at Gustavsberg Porcelain Company where he developed an experimental approach to ceramics as a free artistic form that approaches nature\u2019s idiom. Also represented were Torsten Renqvist and Rune Jansson, who both resided permanently in the archipelago and who depicted the archipelago\u2019s special spatialities in sculptural as well as painterly form.<\/p>\n\n<\/div>\n<\/div>\n\n<div class=\"max-w-screen-md mt-5 mx-auto first:mt-0\"><div\n  class=\"prose sm:prose-lg lg:prose-xl\"\n  x-data=\"\"\n  x-init=\"$nextTick(function () {\n    const videoEmbeds = document.querySelectorAll('.wp-block-embed.is-type-video');\n    videoEmbeds.forEach(function (embed) {\n      if (!embed.classList.contains('wp-embed-aspect-16-9') || !embed.classList.contains('wp-has-aspect-ratio')) {\n        embed.classList.add('wp-embed-aspect-16-9', 'wp-has-aspect-ratio');\n      }\n    });\n  })\"\n>\n  \n<p>In the 1960s the idea of the archipelago was greatly influenced by Astrid Lindgren\u2019s television series Vi p\u00e5 Saltkr\u00e5kan (We on Seacrow Island) that turned the Stockholm archipelago into public property of the Swedish people. The artists who made their debut in the 1960s were hardly inspired by the idyllic portrayal in the television series. It was rather the mass media image of the archipelago that interested them. The mass media created a clich\u00e9 of the archipelago, in which late-19th-century artists also played a central role. Ulrik Samuelson reused a number of Prince Eugen\u2019s most important paintings. In LG Lundberg\u2019s work there are connections to Prince Eugen\u2019s painting, as well as Strindberg\u2019s paintings from Dalar\u00f6, where LG Lundberg is based. In Jan H\u00e5fstr\u00f6m\u2019s practice there is a source of inspiration which is not from visual art but from literature. It is Carl Jonas Love Almqvist and his ideas of the mystical island from which all life emanates.<\/p>\n\n<\/div>\n<\/div>\n\n<div class=\"max-w-screen-md mt-5 mx-auto first:mt-0\"><div\n  class=\"prose sm:prose-lg lg:prose-xl\"\n  x-data=\"\"\n  x-init=\"$nextTick(function () {\n    const videoEmbeds = document.querySelectorAll('.wp-block-embed.is-type-video');\n    videoEmbeds.forEach(function (embed) {\n      if (!embed.classList.contains('wp-embed-aspect-16-9') || !embed.classList.contains('wp-has-aspect-ratio')) {\n        embed.classList.add('wp-embed-aspect-16-9', 'wp-has-aspect-ratio');\n      }\n    });\n  })\"\n>\n  \n<p>The 1960s generation is still active today and has inspired many of the artists who broke onto the scene in the 1980s. In the exhibition this generation was represented by Rolf Hanson and Ernst Billgren who have continued the discourse of the major 19th-century icons of archipelago art.<\/p>\n\n<\/div>\n<\/div>\n\n<div class=\"max-w-screen-md mt-5 mx-auto first:mt-0\"><div\n  class=\"prose sm:prose-lg lg:prose-xl\"\n  x-data=\"\"\n  x-init=\"$nextTick(function () {\n    const videoEmbeds = document.querySelectorAll('.wp-block-embed.is-type-video');\n    videoEmbeds.forEach(function (embed) {\n      if (!embed.classList.contains('wp-embed-aspect-16-9') || !embed.classList.contains('wp-has-aspect-ratio')) {\n        embed.classList.add('wp-embed-aspect-16-9', 'wp-has-aspect-ratio');\n      }\n    });\n  })\"\n>\n  \n<p>The exhibition also included a younger generation of artists located in a borderland between Artipelag and the nature outside. These are site-specific works that relate to the archipelago, but in a rather more physical and tangible fashion. Marcus Eek\u2019s paintings of the sea and its boat traffic were situated in a spatial territory between inside and outside. The other artists were outside the white cube of the art gallery. Carl Boutard collected fragments from nature from Artipelag\u2019s immediate surroundings which he compiled in a kind of natural alphabet that has been cast in bronze. His sculptures populated Artipelag\u2019s roof terrace as strange hybrids between nature and culture. Further out in the nature around the building, one could listen to Madeleine Jonsson Gilles\u2019 soundpiece Sj\u00f6kort Fem \u00f6ar that represented five different places in the archipelago. At the steamboat pier, Anna Lidbj\u00f6rk created an installation which was reminiscent of an archipelago caf\u00e9. It is a reminder of the tourist invasion that makes the archipelago into a cultural rather than a natural experience. Furthest away from the building was Ebba Bohlin\u2019s sculptural project which was installed out on the water, which is not necessarily related to nature, but rather to our exploitation and colonisation of nature. The young generation of artists is very well aware of the archipelago\u2019s changed contemporary circumstances; from an original nature to a kind of reservation for mass tourism.<\/p>\n\n<\/div>\n<\/div>\n\n<div class=\"max-w-screen-md mt-5 mt-5 mx-auto xl:mt-8 xl:mt-8 mt-5 mx-auto xl:mt-8 first:mt-0\">\n<h2 id=\"artists-in-the-exhibition\" class=\" wp-block-heading\">Artists in the exhibition<\/h2>\n<\/div>\n\n<div class=\"max-w-screen-md mt-5 mx-auto first:mt-0\"><div\n  class=\"prose sm:prose-lg lg:prose-xl\"\n  x-data=\"\"\n  x-init=\"$nextTick(function () {\n    const videoEmbeds = document.querySelectorAll('.wp-block-embed.is-type-video');\n    videoEmbeds.forEach(function (embed) {\n      if (!embed.classList.contains('wp-embed-aspect-16-9') || !embed.classList.contains('wp-has-aspect-ratio')) {\n        embed.classList.add('wp-embed-aspect-16-9', 'wp-has-aspect-ratio');\n      }\n    });\n  })\"\n>\n  \n<p>August Strindberg<br>\nJ.A.G. Acke<br>\nPrins Eugen<br>\nBruno Liljefors<br>\nAnders Zorn<br>\nAlbert Engstr\u00f6m<br>\nAxel Sj\u00f6berg<br>\nAxel Einar Hjorth<br>\nRune Jansson<\/p>\n\n<\/div>\n<\/div>\n\n<div class=\"max-w-screen-md mt-5 mx-auto first:mt-0\"><div\n  class=\"prose sm:prose-lg lg:prose-xl\"\n  x-data=\"\"\n  x-init=\"$nextTick(function () {\n    const videoEmbeds = document.querySelectorAll('.wp-block-embed.is-type-video');\n    videoEmbeds.forEach(function (embed) {\n      if (!embed.classList.contains('wp-embed-aspect-16-9') || !embed.classList.contains('wp-has-aspect-ratio')) {\n        embed.classList.add('wp-embed-aspect-16-9', 'wp-has-aspect-ratio');\n      }\n    });\n  })\"\n>\n  \n<p>Eddie Figge<br>\nOlle Nyman<br>\nStaffan Hallstr\u00f6m<br>\nEvert Lundquist<br>\nEbba Reutercrona<br>\nTorsten Renqvist<br>\nAnders Bruno Liljefors<br>\nEvert Taube<br>\nLG Lundberg<\/p>\n\n<\/div>\n<\/div>\n\n<div class=\"max-w-screen-md mt-5 mx-auto first:mt-0\"><div\n  class=\"prose sm:prose-lg lg:prose-xl\"\n  x-data=\"\"\n  x-init=\"$nextTick(function () {\n    const videoEmbeds = document.querySelectorAll('.wp-block-embed.is-type-video');\n    videoEmbeds.forEach(function (embed) {\n      if (!embed.classList.contains('wp-embed-aspect-16-9') || !embed.classList.contains('wp-has-aspect-ratio')) {\n        embed.classList.add('wp-embed-aspect-16-9', 'wp-has-aspect-ratio');\n      }\n    });\n  })\"\n>\n  \n<p>Ernst Billgren<br>\nJan H\u00e5fstr\u00f6m<br>\nRolf Hanson<br>\nMarcus Eek<br>\nMadeleine Jonsson Gille<br>\nCarl Boutard<br>\nEbba Bohlin<br>\nAnna Lidbj\u00f6rk<\/p>\n\n<\/div>\n<\/div>","protected":false},"featured_media":49613,"template":"","class_list":["post-5101","cpt_exhibitions","type-cpt_exhibitions","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v26.7 (Yoast SEO v26.7) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>No man is an island \u2013 Artistic forays into the Stockholm archipelago - Artipelag<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/artipelag.se\/en\/art-museum\/previous-exhibitions\/no-man-is-an-island-artistica-forays-into-the-stockholm-archipelago\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"No man is an island \u2013 Artistic forays into the Stockholm archipelago\" \/>\n<meta property=\"og:description\" content=\"The Stockholm archipelago has been the subject of many poems, songs and paintings. Today, however, the ideas of the archipelago increasingly appear as nostalgic tourist clich\u00e9s, including the rather dubious artistic genre of \u201carchipelago art\u201d. 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